Emily Swallow

Swallow started her Broadway career in the theatre, appearing in various productions including High Fidelity at the Guthrie Theater as well as King Lear for Shakespeare in the Park. Swallow also performed on stage in Much Ado About Nothing for Shakespeare in the Park and the world premiere of the Off-Broadway productions Romantic Poetry, Measure for Pleasure. Swallow began her career in film as a dramaturge from the military, The Lucky Ones. She starred alongside Mark Rylance at the Guthrie Theatre in Louis Jenkins' play Nice Fish. [citation needed] for Donald Margulies' play The Country House which was staged at Los Angeles' Geffen Playhouse. Swallow also appeared at Manhattan Theater Club in John Patrick Shanley's musical Romantic Poetry, which was a world premiere. In 2010, her appearance in The Taming of the Shrew received The Taming of the Shrew Falstaff Award. Swallow created a show alongside fellow comedian Jac Huberman that was performed in 2012 titled Jac N Swallow. They presented it in the New York's Laurie Beeckman Theater as well as at Joe's Pub. The show's comedy misadventures revolve around the two as they encounter different difficulties in their lives and with different levels of respect and morality. It is planned to create a show based around the characters. The year 2013 was the year she worked with Mark Rylance and poet Louis Jenkins for the world premiere of Nice Fish at the Guthrie Theater. 1][2] In 2016, she was cast in the production of Center Theatre Group of Ayad Akhtar's Disgraced. The first time she appeared on television, her part was on Guiding Light, and she later played parts on Southland, Ringer, The Good Wife, NCIS, Flight of the Conchords, Medium, as series regular The Good Wife, Dr. Michelle Robidaux on TNT's medical drama Monday Mornings[2] as well as Rizzoli and Isles. The role she played was FBI agents Kim Fischer in The Mentalist. [1][7] She played Amara who was the Darkness in the 11th season of Supernatural. The character will play the Armorer from 2019 on as part of The Mandalorian, a Star Wars TV series. Since the traditionalists don't remove their helmets their faces are not recognized. This character was more visible during season 3 because the focus of the narrative was Mandalorian culture and people that were not only Mandalorian.